![]() ![]() In Hollywood’s portrayal, Jesus was a white, European man. ![]() Writing about DeMille’s film some years later, film historian Charles Musser commented how the film evoked “Christ’s charisma” through “a mesmerizing repertoire of special effects, lighting and editing.” ![]() DeMille’s “The King of Kings”, demonstrating the power of a big budget and a well-known director. In 1912, Sidney Olcott’s “From the Manger to the Cross” became the first feature length film to offer a full account of the life of Christ.įifteen years later, crowds flocked to see Cecil B. Hollywood continued to cash in on Christian audiences all through the 20th century. Inventors of cinematic technologies, such as Thomas Edison and the Lumière brothers, were among the first to bring Jesus’s life to the big screen at the end of the 19th century. From amulets to icons, paintings to sculptures, Christianity incorporates a rich visual history, so perhaps it is not surprising that cinema has become a vital medium to display the life of Jesus. Images of Jesus, or the Virgin Mary, have long been part of the Christian tradition. I have also looked at the ways in which audiences make their own spiritual meanings through the images of film. From still images to moving imagesįor the last two decades, I have researched the portrayal of religious figures on screen. These films have prompted devotion and missionary outreach, just as they have challenged viewers’ assumptions of who the figure of Jesus really was. ![]()
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